Simon Reece
Potter
Artist Statement
I have been making pots for over 20 years. Working in my home-based studio in Blackheath I produce short runs of ceramic objects that ask the viewer to consider the relationship between utilitarianism and aesthetics.
Beauty and usefulness are the forces that motivate my work. While I am primarily a vessel maker of utilitarian ceramics, I always seem to be looking for a way to contextualise an idea of form or texture and to transform it into a vessel of some description.
Having chosen clay as my means of expression I am increasingly finding the clay is directing my work process. Understanding and utilising the particular clay’s properties and exploring its limitations increasingly defines my work.
Although my current work is not supposed to be representational as such, I am inspired by rock formations near where I live in the Blue Mountains. I have rough ideas of form which are morphed by the manner in which the clay responds to my working it. Textures seem to be inherent in the clay and need to be coaxed out – by compressing, tearing, twisting and what other gesticulations come to mind.
I am also striving for subjective response in the viewer and this is linked to the notion of creating a dialogue between our emotions and our intellect.
The serendipitous occurrence that is potting continues to intrigue me, and the creative urge and process is ongoing.
April 2006
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